MoM TDM (reassembled from emails)
I. DE CHIMA
II. THE MEADOWS
III. WILDCARD; hit me!
[ When the Porter brings Matthew back, he hangs on to the assumption that it's been a few days, maybe a week or two. Even so, he wants to get back to the Meadows as soon as possible, but when an elderly local lady approaches him at the bus stop, he innocently offers his assistance. A quarter hour later, she's still clutching his arm with one hand and patting it with the other, and it's glaringly obvious to anyone with half a brain (so, not Matthew) that she does not intend to let him go any time soon. They've crossed the same street four times, back and forth, and his bus is looong gone.
Oh, you're such a nice boy. My grandson wears your cologne, you know.
Matthew laughs, bright and tirelessly cheerful. ]
Really? Cool! [ He means it. ] Hey, which way did you say his apartment is?
[ Oh, it must be this way. Or... Well, I'm not sure. Maybe it's down that street there.
Someone rescue this boy. ]
II. THE MEADOWS
[ Despite Matthew's long absence, signs of the youngest Lynch's presence have remained tucked away at the Meadows since the day he left: a door in the hallway that refuses to open, warm light streaming 24/7 from the crack between it and the floor. A yellow Mini Cooper parked in the garage with the hoard of other vehicles, cheerful and driverless. A grafitti mural preserved on the side of the church, the obvious work of many hands, one pair of which was content to scatter the area with meaningless happy squiggles in every available color, like a child with a bucket of chalks. (Except the mural is in spray paint.)
When Matthew returns, he spends the first few days sticking close to these familiar places. The door to his room is thrown open, and stays that way much of the time, an invitation to any and all to stop by and hang out. Even if he's hunched up on the floor in front of his bed, hugging a pillow to his chest and scrolling through his phone with a rather perplexed look on his face and a plate with a half-eaten poptart sitting next to him on the floor. Perhaps especially then.
One sunny day, he carefully drives his car out into the front yard, climbs out, climbs back in to check that the windows are rolled up all the way, climbs back out and starts scrubbing the vehicle down with a large sponge and a bucket of soapy water. He doesn't seem bothered by the chilly March air.
On a different day, one might find him by the church, seated under the mural, the back of his head pressed against the wall. His eyes are scrunched closed. A few rose petals drift implausibly out of his curls ("implausibly" because the petals didn't exist a moment before), one coming to rest on his shoulder. ]
III. WILDCARD; hit me!
ADAM; DE CHIMA
Better collect him.
Adam stops in front of their trajectory, waiting for them to finish crossing to him.] Hey, Matthew.
Adam!
[ And then his look of surprise transforms into one of complete delight. ]
You're back! Me too! [ He windmills his free arm in a huge (and unnecessary, considering how close they are already) wave, unable to contain his excitement. ] Does Ronan know you're here?
I've been here for ten months, Matthew. He knows.
Ohh. Uh.
[ That's also going to take him some time to process. After a second or two of processing (he is far from finished), he turns to said strange old lady and tells her, ] I think I've got to go now. [ At the same time, he gently extracts his arm. She may try to protest. ]
I'll drive you home.
Okay, thanks, [ Matthew answers, both cooperative and grateful. He follows Adam away, his thoughts spinning wildly, and at last manages to blurt out a real reaction to the news. ]
It's really been ten months?
[ There's an uncharacteristically anxious edge to his voice but he's trying to tamp it down. ]
I mean, I mean, I believe you. That's just so long.
[Adam walks him to his car, which is a beautiful cubist nightmare of a batmobile and unlocks it.]
We think it was a different version of me that was here before, and no, none of us know how that works. None of us have the earlier memories except Noah.
[And that's a whole other issue. Adam remembers a long-ago joke about Noah trying to collect the whole set of Lynch brothers. It seems less funny now.]
It's probably been more than that.
This doesn't feel good. Actually, it's morphing at a rapid rate into what would be his nightmare, if Matthew were a real person capable of having real nightmares. Let's just say that last time around, he learned how to be afraid of the possibility he might fall out of his own life and come back to find things had changed without him. (Or not come back at all.)
There's no way he can talk about that with an Adam who doesn't remember any of it. He stops dead at the car, staring, swallowing once, and then climbing in on the passenger's side once it's unlocked. ]
This is way different from your old one.
[ Not a totally on topic observation, but he follows it with-- ]
So Noah remembers when I was here before. [ He's got that part, he thinks. He's hanging on to that, because it's by far the most comforting piece of information he's been given. ] But you and Ronan don't.
[ Ronan is here, Matthew knows that much for sure, too. ]
[Adam doesn't know what else Matthew does or doesn't know about things back home or him and Ronan. Better to just leave all that until later. Let someone else explain.]
The rules of this place are strange. None of us really understand how they work.
[ He pulls his legs up and props his knees against the dashboard, careful to keep his shoes away from the seat. ]
I was here for-- [ he touches his thumb to his fingertips one by one, lips moving slightly as he tallies up the time. ] I guess it was six months.
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[But that's a whole other topic. Adam certainly doesn't want to go into it. That's Noah's business to handle. And he's not sure he wants to tell Matthew about his relationship with Ronan. That's Ronan's business to handle. The only thing that's Adam's to tell is the moon base, and he's not much of a braggart by nature. So he just keeps quiet.]
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But it's good, because Ronan must be happier with Adam back, Matthew thinks. He hopes. ]
Everybody moved back to the Meadows, right? It was just me and Noah, when I got, you know. When the Porter.
[ He doesn't even finish the sentence; it's obvious enough what he means. ]
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Ronan's okay with it? With them being there?
[ That's very different from last time. ]
There wasn't a tower before, either.
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Ronan and I made the tower. And we renovated the main house and turned the main barn into St. Agnes.
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[ Matthew looks down at his hands as he considers this new information.
The barn, the house, those changes are a little troubling (where does Henrietta sleep now?) But the most troubling is the casual comment about Ronan.
Of course he is. Of course he's different from how Matthew remembered him?
He looks out the window, watching De Chima zip by. He wants to get back to the house, to Noah especially. ]
I guess a lot's different from what I remember.
NOAH; THE MEADOWS
And so, on the afternoon Matthew returns to the Meadows, it's only by chance that Noah is standing in the kitchen's doorway, wearing only pajama pants, his head turned towards the front door like a deer caught on train tracks.]
... Matthew?
[Somehow, impossibly, he seems even smaller now. The hunch to his shoulders is deeper, his bones more pronounced. His freckles have faded in the darkness of winter, and his eyes seem deeper set.
He steps towards Matthew, like he's trying to get a closer look, trying to figure out if this is real.]
Noah!
[ Heart leaping with happiness, he crosses the space between them in one bound, laughing at Noah's strange expression. It's been a month, for him. A month back home, where he didn't even know what he was missing. The reality of the situation now has, needless to say, not yet landed in his airy dreamed up brain.
Overflowing with affection, he doesn't hesitate to take Noah's face in his hands, and goes in for what he expects to be a perfectly expected kiss. ]
A month. He can hear it in Matthew's simple thoughts. He's only been away for a month, while Noah's been here for...]
Um.
[He wants to match Matthew's jubilation, to fling himself into his arms just as recklessly. But behind his gladness, nagging and simmering, is one painful thought:
I didn't wait for you.]
... Hi.
Hi, [ he says back, with a little grin, which slips slightly as he finally takes in his Noah's expression. Oh.
Oh. Right. ]
I'm sorry. [ His voice goes soft, gently earnest. ] I didn't mean to leave.
[Noah blinks, his eyes stinging.]
Matthew, I... [God, why is it so hard to say? He takes in Matthew's sweet eyes, and his pink cheeks, and the endless honesty in his smile. Honesty. Of course. Lying has always been useless around him, morality notwithstanding. He reaches up for Matthew's hand, to reassure himself, and clutches it over his own cheek.]
It's been more than a month, Matt. I haven't seen you in over a year.
All of these oddities, precariously stacked one on the other, begin an inevitable topple over into realization when he says that word: a year.
A year. The enormity of it costs Matthew his breath, for a moment, and then he doesn't care about Noah's state of dress; he's wrapping his arm around the other boy's skinny back and pulling Noah to his chest.
A year. Matthew left him for that long. He doesn't apologize again but it's there in how he kisses Noah a second time, close-lipped but pressing, utterly heartfelt. Like he can make it better if he starts right at this moment, and tries his hardest, and keeps trying.
A year. But it doesn't occur to him that anything between them could have changed.
He breaks off the kiss and touches their foreheads together, stumbling into words. ]
Noah, I'm-- I didn't want that. I never wanted that. But I'm back. I'm back now.
[ He says it twice, once for Noah and once for himself. ]
I know. It's not your fault.
[His hand skates up, grasps Matthew's arm, gentle and reassuring. A finger touches the soft end of Matthew's hair; it's even longer now, from his month at home.]
I haven't been alone. The others came back.
Good, [ he says, just one word, but he means it so much. The thought of Noah being alone and sad is terrible. He wants to put it out of his mind, to lean into all this soft touching and pick up where they left off, leaving all the bad parts behind them if they can. ]
So everyone's here?
[ Ronan is, of course, but also... everyone Ronan needs to be happy? ]
Everyone but Blue and Henry.
[He wrings his fingers together, eyes flicking between his feet and the floor.]
She could still come back, [ he says, giving Noah's hands an encouraging squeeze, because he can see the other boy is upset and it upsets him too, but he doesn't know the reason, unless it's because of Blue's absence. (Cheng was cool, too, of course. But to be honest Matthew's still a little muddled as to why he showed up in the first place, since the Porter only brings in Ronan's friends. And they definitely weren't friends.) ]
Everybody always comes back.
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[It's not distracted or absent, but there's a strange weight in Noah's tone, like he's thinking carefully through something sad. He lets Matthew untangle his fingers, holding on loosely, but his hands are tense and cold.]
Matthew, I... [His eyes flick up, and then back down. The room feels too still, too dark, shaded by the overcast winter's day outside. Not a place he associates with the boy in front of him. Noah takes a deep breath, and tips his head towards the floor.]
I'm with someone. Someone else.
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Everything tilts slightly sideways.
He probably didn't hear it right. He wishes Noah would look at him. ]
You're with--
[ The words get stuck so he stops, then tries again. ]
Someone else?
[ He sounds deeply uncertain. ]
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It was more than a year.
[He swallows, his throat far too dry. He wants to disappear.]
I'm sorry.
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We broke up, [ he says slowly, grasping for understanding, trying to make this easier. ] When I got ported out.
[ Of course they both knew being sent home was a possibility, but they never talked about what would happen after. Matthew just assumed--
His face grows warm, too. He would have waited for Noah, if their places had been switched. Tirelessly, hopefully, foolishly. He's never even thought about anyone else.
But Noah is different, a real person, who always wanted to be with somebody. And Matthew is the one who left. ]
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[He catches himself. Breathes. Blinks. This is too much, too much for both of them. He can't stand the pain he's inflicting, and he doesn't know how to help it.]
I'm sorry. [There's no way to pour half as much meaning into that word as he wants to. His head hangs.] I still care about you. You're one of my best friends. A year and a half, and that didn't change. I promise.
MAGNUS; TEXT
i keep having nightmares about little tiny hands.
babies have cute hands though
i thought you meant human ones
theyre still cute
how many does she have?
i haven't gotten a count. i wimped out on watching the birth. lots, though.
maybe i could help you count them
[ maybe he just wants to see baby raccoons ]
wait do you live in a tree
do you usually ask strangers if they want help counting wild animals...?
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no im matthew
i thought you knew my brother or something, sorry
so you don't need help counting them?